For White Friends Using Social Media and Not Responding to Charlottesville

This post is for white friends who’ve remained silent or continued social media posts as though there’s not a national crisis. Certainly, white supremacy is systemic and personal, historical and contemporary, everyday and ongoing. Yet, this weekend it’s especially visible and sanctioned, immediately resulting in intimidation, terrorism, injury, and death. The events in Charlottesville have wide-reaching impact, and to deny (or fail to engage/recognize) the significance of these events is to deny the trauma and ongoing threats facing Black, Indigenous, and people of color (BIPOC).

As I’ve watched white friends posting updates of cute animals and kids, of beautiful sunsets and delicious food, I’ve felt disconnected. I’ve felt betrayed.

As a rhetorician, I think about intention and impact—what words, photos, and actions say about the author and what they communicate to audiences. Through status updates and social media, we indicate affiliations—who we see ourselves in relation with, who we stand with and alongside, and who we see as part of our relational networks. Bottom line: our communication indicates who and what matters to us.

Status updates acting as though there’s not a major crisis—as though the display of white supremacy doesn’t need comment—undercut the possibility of cross-racial relations, affiliation, and solidarity. These updates communicate relations with other white folks and lack of care for BIPOC.

Thinking metaphorically, imagine showing up at a funeral in bright colors, laughing, and pulling out videos of fluffy chicks. Now, certainly I’ve been to family gatherings where grief turns to humor, and the desire to look at fluffy chicks takes center stage. But not until there’s real recognition of loss, hurt, anger, resentment, regret, and a range of emotions that can fold the lighthearted into heavy grief. And not without relational connectedness that involves ongoing recognition that the grief remains and needs attention too.

So, when I’m seeing white friends share vegan recipes, food pics, and arguments, I’m just not there. Yes, I’m vegan too, and yes, I write these posts too. But unless I’m going to make an intersectional argument about how veganism is connected to my stand against white supremacy and why vegans need to act for racial justice, this isn’t the time. My post about tahini dressing can wait.

And when I see white friends posting photos from summer vacations, I’m wondering who gets to celebrate or depict joy right now. I get that vacationing makes it easy to be out of touch with national events, but any engagement with social media reveals the trauma unfolding. And vacation photos aren’t time-sensitive.

What is time-sensitive?

  • Signaling deep care for Black, Indigenous, and people of color (BIPOC).
  • Believing the experiences, insights, and knowledges of BIPOC.
  • Recognizing the deep hurt of this moment.
  • Doing the self-work involved in countering internalized white supremacy.
  • Acknowledging white shame and the “ghost of whiteness” lingering over everyday interactions, including those in social media.
  • Self-regulating by asking with each new post: “Who am I relating with? Who am I imagining this post will connect with? And who am I alienating?”
  • Considering how everyday “stuff”—like food and vacations—is shaped by the ghost of whiteness.
  • Taking action to learn more about allyship and what allies can do.
  • Saying something to acknowledge that this really is happening, and it matters.
  • Committing to racial justice. Again, and again.


This post is written by Beth Godbee for Heart-Head-Hands.com. For more posts like this one, you might try “Trusting the Alarm Behind Supposedly ‘Alarmist Rhetoric,’” “Reframing ‘Independence Day’ as a Day for Truth-Telling and Committing to Justice,” and “Microaggressions Matter.” Please also consider following the blog via email. Thanks!

Why I’m Vegan: Ecofeminism

I’ve been holding myself up, preventing myself from writing about why I’m vegan and how central food is to my understanding of justice. I’ve been holding myself up because this writing feels especially important, like it needs to be good, and, therefore, is triggering my need to counter perfectionism.

I’ve also been holding myself up because it’s so damn hard to write about being vegan without re-inscribing notions of whiteness and privilege. Especially from my positionality as a privileged white woman. For example, check out the commentary “Here’s Why Black People Don’t Go Vegan” or the edited collection Sistah Vegan.

I’ve been holding myself up, too, because I want to amplify vegan voices of color and question how to put my voice in the mix. Vegans of color are explaining how meat is linked to white supremacy and an intersectional web of oppression. I’ve mentioned before the blogs Black Vegans Rock and The Sistah Vegan Project. If I could accomplish nothing else, I’d hope to send readers to these and other great resources.

Against this backdrop, I still want/need to explain why I’m vegan, and a sense of urgency is becoming clear. In just one week, I’ve had three different people ask me the familiar question: “Why are you vegan?” I’ve been invited to a vegan potluck, asked to provide vegan snacks for a campus event, and asked to support a student’s vegan activism. It’s clear I need to claim and explain why veganism means so much to me.

My first two answers to why I’m vegan—cookie dough and doing something small and sustained—are pieces of the larger puzzle. For this post, I’ll attempt to share a more philosophical piece: ecofeminism.

So, Why Am I Vegan?

Short answers include the following:

  • Veganism presents daily reminders for me to acknowledge and to counter violence in all its manifestations. It asks me to look at myself, my positioning, and how I’m relating (or not) with others.
  • Structures of oppression build on each other, and so I want to break down speciesism alongside and as part of racism, sexism, classism, heterosexism, ableism, ageism, sizeism, etc.
  • I want to affirm rights, including human rights, civil rights, linguistic and epistemic rights, and—yes, animal rights.
  • I value “all my relations,” including with animals and the earth, and I continue to learn the wisdom of interconnectedness through Malea Powell’s and others’ scholarship on indigenous epistemologies and relational worldviews.

These and other answers have emerged over decades of thinking about and reframing many relationships, including with what I eat and why. I’ve been vegan for more than three years, since December 2013. Before that, I’d been vegetarian since 2000. Though the transition from vegetarian to vegan was surprisingly smooth, I still end up at restaurants and in gatherings where options are scarce and where people look at me with tilted heads in total disbelief.

I’m frequently asked the question at the center of this series: “Why are you vegan?”

Related questions include:

  • Was is hard to give up ______ (fill in a popular food)?
  • How do you get enough ______ (fill in any vitamin, mineral, or protein)?
  • Aren’t you still doing harm by eating ______ (e.g., quinoa, grapes, almond milk)?
  • Aren’t you still killing plants?

As a recovering perfectionist, I recognize in these questions all-or-nothing thinking—or the idea that only a perfect/complete solution is a solution worth seeking.

In contrast, I believe we must invest in small and sustained actions—in whatever form they might take and however they might look.

Clearly, I was vegetarian long before vegan, and my reasons for being vegetarian are largely the same for being vegan. This is why I start with my “origin story” of learning about and wanting to strive toward ecofeminism.

Ecofeminism

Perhaps the trickiest and yet most true answer to why I’m vegan is that I believe in ecofeminism, which is a feminist belief in the equity and rights of all beings. I believe in countering all instances of exploitation, oppression, and injustice. And in affirming all forms of justice, including social, racial, gender, and economic justice. Relatedly, I see instances of injustice/justice as intimately woven together. To begin unweaving the tapestry, I take a thread that’s possible to pull. This thread is my relationship with food.

In one of my first women’s studies courses, I remember studying a pyramid like this one:

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This hierarchical structure places god over men, men over women, women over children, children over animals, and animals over the earth. It represents domination and helps with visualizing the interconnected nature of –isms. The closer to the god, the more godly, good, worthy, and worthwhile. The further from god, the more exploited, demeaned, undermined, and devalued.

The goal of ecofeminism, then, is flattening hierarchies. This means seeing all beings—god, men, women, children, animals, and the earth—as worthy and worthwhile, as all having innate value and rights. This means not prioritizing men over women or humans over animals, but asking tough and sticky ethical questions that imagine relations of equity and justice.

It was studying this pyramid and imagining flattened, interconnected relations that led me to become vegetarian while still in college. From this starting point, I have continued to learn, and the more I learn, the more I see the need for everyday practices—like eating vegan—that lead to more questioning, more learning, and more desire to make change.

Dismantling systems of oppression involves, I believe, dismantling the hierarchies that are both internalized and normalized. And dismantling this pyramid is about not only countering sexism, ageism, and speciesism, but also countering white supremacy, heteropatriarchy, capitalism, and other forms of oppression. This is similarly what intersectional veganism seeks to address.

Ecofeminism is why I embrace animal rights, while emphasizing and affirming human rights. People have historically been dehumanized by being associated with animals (e.g., “dogs” or “monkeys”). As a strategy to deny human, civil, linguistic, and other rights, the association of humans with animals assumes that animals are lesser-than and unworthy of having rights. If we affirm animals as beings who also have rights, then we can disrupt dehumanization and the related stripping of human rights. Black vegan feminist theorist Aph Ko has an AWESOME video about how animal oppression relates to human oppression.

There’s a LOT more I want to write about why I’m vegan, which is why this is just one post in an ongoing series. What I can say simply is that my commitments to feminism and racial justice relate to environmental justice and veganism. So, one answer—and the one that defines my origin story and shares my philosophy—is ecofeminism. I’m certainly on a path to live and learn more, and I look forward to following where this philosophy might lead.


This post is written by Beth Godbee for Heart-Head-Hands.com. Feel free to check out other posts in the series “why I’m vegan” or vegan + gluten-free recipes. Please also consider following the blog via email. Thanks!

Appreciating Rahawa Haile’s “Going It Alone” for the Hiking-Justice Connection

As someone interested in and impacted by the outdoors, hiking, human connection, harmful historical legacies, and ever-present white supremacy, I absolutely love and highly recommend Rahawa Haile’s article “Going It Alone”:

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Haile shares her experience through-hiking the Appalachian Trail as a queer black woman. Here are a few of my favorite lines:

  • “By the time I made it through Maryland, it was hard not to think of the Appalachian Trail as a 2,190-mile trek through Trump lawn signs.”
  • “Harriet Tubman is rarely celebrated as one of the most important outdoor figures in American ­history, despite traversing thousands of miles over the same mountains I walked this year.”
  • “There were days when the only thing that kept me going was knowing that each step was one toward progress, a boot to the granite face of white supremacy.”

In trying to figure out why this piece so deeply speaks to me, I realize how much I crave stories of hiking (like Amanda “Zuul” Jameson’s Brown Girl on the (P)CT and Garnette Cadogan’s “Walking While Black”) that challenge the assumptions of whiteness, walking as white activity, and the outdoors as white space.

I crave so deeply ways of re-seeing and relating differently with my childhood home in the Southern Appalachian Mountains. Haile names places where I’ve spent much time and where I’ll be visiting again this summer: the Smokies and Shenandoah, Roan Mountain and Gatlinburg. These are places I feel within my body, both in the sense of heart expansion and heart ache. These are places I’ve fled and yet still seek again. These are places with deep legacies of racial, colonial, and other traumas that underwrite contemporary white nationalism.

Haile gives voice to the struggle of craving the expansive mountains, the blue ridges, and the relationship with birds and bears, while confronting Confederate flags, Trump signs, and stores selling blackface soap.

Haile gives voice to the differential risks, to the differently embodied realities, and to the significantly different threats that she (a queer black woman) and I (a straight white woman) face when walking in the woods.

Haile also gives voice to the need to keep going, to keep walking, and to keep writing. To put one’s “boot to the granite face of white supremacy.” Haile reminds me to commit yet again my body, my words, and my actions toward justice.

So, how do I “make actionable” a commitment to racial justice, especially as a hiker?

I certainly don’t have a full answer, but the work includes:

  • Intrapersonal work: ongoing reflexivity and introspection, especially toward noticing more, disrupting biases, and changing my own limiting self-talk;
  • Interpersonal work: writing, teaching, and interacting—with others and often in relationship—to raise awareness and to make change; and
  • Institutional work: channeling time, talents, and financial resources into organizations like the Southern Poverty Law Center, Rethinking Schools, the YWCA, and America’s Black Holocaust Museum, which work for larger institutional change.

When I’m out on the trail, I’m engaged mostly in intrapersonal and interpersonal work—talking with myself, with hiking partners, and sometimes with others I meet along the trail. Part of why I love hiking is that it allows for long timespans that become more meditative, more contemplative as the body and the brain tire. I find that the more removed I am from my everyday habits and habitat, the more I can de-normalize damaging scripts that have become internalized. Like the meaning I find on my yoga mat, time on the trail is essential for healing, reorienting with gratitude, confronting my shadow self, and refueling my commitment to justice.

As I reflect on these components of making my commitment actionable, I’m thinking also about the ways my privileged positioning (e.g., as white, U.S.-born, cis-gender, able-bodied, economically secure) makes the trail a space of such possibility for me and for people who look, talk, and move like me. And this a reality—that outdoors spaces are made inaccessible and inhospitable for many people—makes the need for justice all-the-more urgent.

A case in point:

Last summer I had too little water at the trailhead for Big Schloss, a trail running a ridgeline between Virginia and West Virginia with outstanding views on clear days. My partner Jonathan and I thought there’d be water at the trailhead; yet, the well was dry. We asked others for water, and two white hikers returning to their cars emptied their bottles for us. I felt a sense of comradery with these other hikers, and I felt courage (surely from white privilege) in asking for help.

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I also was sure that if we couldn’t get water from fellow hikers, we couldn’t do this day hike (the closest gas station was miles away, so we’d spend our time driving instead of hiking). On the drive into Big Schloss, we’d passed many confederate flags (easily more than 10), and I couldn’t see myself knocking on any doors to ask for water. I remember feeling fairly vulnerable in this rural area.

And here’s what I want to remember and communicate more widely: my feeling of vulnerability arose from a trauma that’s shared, that’s part of the U.S. collective, yet is experienced so differently and with such potentially different consequences. As a white woman—especially when hiking in partnership with a white man—my concerns are primarily about emotional hurt. In contrast, hikers of color face the U.S. legacy of lynching (the hate crime of murder) that is part of America’s Black Holocaust that continues today through both microaggressions and macro-structures like unchecked police violence, the school-to-prison pipeline, the cycle of poverty, voter disenfranchisement, and many other institutional issues. Haile addresses how such legacies impact not only human interactions but also basic choices like how to protect one’s body from cold and wind and not be perceived as a threat/target of hate crimes.

My pain of traveling in the Appalachian Mountains, which are so in my blood, involves being re-traumatized with each confederate flag, each Trump sign, each park or trail name that celebrates “founding fathers” and other prominent figures who took part in the trans-Atlantic slave trade, forced Indian removal, colonization, genocide, and other atrocities. I think it’s important, though ever-painful, to take notice of such physical manifestations of ongoing dehumanization, especially as they show up in “the outdoors” or “the wilderness.”

Truly, all spaces are social constructed, so it’s important to keep asking: Whose stories do these spaces tell? Whose stories aren’t told? And why? What can be done toward recovery, retelling, and rewriting?

It’s important, too, to inquire into and take notice of the racialization of space and spatialization of race. As a white woman, this means asking about how my body works within spaces, especially along trails and the roadways that connect and supply trails.

Thank you Rahawa Haile for “Going It Alone”! This is an article I’m sure to come back to again and again. I so appreciate how it’s shaking up and shedding light on the connection between hiking and pursuing justice.

Why I’m Vegan: Doing Something Small and Sustained

Being vegan, for me, is about imperfectly striving for justice.

Rather than all-or-nothing thinking, it’s small-but-sustained action.

It’s not a finished state, but about always being in the middle (and mess and muck) of it all.

It’s constant, everyday, and enduring—something that keeps me focused daily on the long haul toward justice.

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Of the many reasons why I’m vegan, an important one is the ritual of doing something every day (actually many times throughout the day—whenever I eat) that keeps me re-articulating my commitments and re-committing to justice.

As an always/ever-recovering perfectionist, I understand the thinking that critiques this imperfect action, for it will always inevitably fall short. I also understand the experience of being overwhelmed by the weight of so much to do when there’s so much hurt in the world. When feeling overwhelmed, anything more than critique can feel like too much.

Yet, I also know that all-or-nothing thinking leads to weariness (from shouldering such weight). And weightier projects (whether writing books, changing relations, or working to redress wrongs) are done bit by bit. Shifts are made through doing something small that’s sustained over time.

Important thinking about social change emphasizes the significance of small actions over time. Take these few examples (from different activist traditions and with different sorts of misattribution):

  • “Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has.”—Margaret Mead
  • “You don’t have to see the whole staircase; just take the first step.”— Martin Luther King, Jr.
  • “The people are the only ones capable of transforming society.”—Rigoberta Menchu
  • “We but mirror the world. All the tendencies present in the outer world are to be found in the world of our body. If we could change ourselves, the tendencies in the world would also change.”—Mahatma Gandhi
  • “I alone cannot change the world, but I can cast a stone across the waters to create many ripples.”—Mother Teresa

These memorable quotes promote a sense that doing something (however imperfectly, however small) is better than waiting for change, a sentiment that educator Paulo Freire similarly expressed in dialogue with Myles Horton:

“I am convinced that in order for us to create something, we need to start creating. We cannot wait to create tomorrow, but we have to start creating today.”—We Make the Road by Walking (56)

we make the road

Truly, we make the road by walking. And as a hiker, I know that walking involves stumbles, falls, cuts, and scrapes—and also some of the most amazing experiences, views, interactions, and learning along the way. Walking builds strength and endurance, so the simple act of walking makes what was previously unimaginable (like climbing mountains or going long distances) possible.

This metaphor of walking guides me as I practice being vegan. And I do see it as a practice with everyday actions, reminders, rituals, questions, and curiosity.

So, why am I vegan? It’s not only for the cookie dough, but also for the constant striving and small-but-sustained action. It’s for doing something to enact a more just world, even if that something is imperfect.


This post is written by
Beth Godbee for Heart-Head-Hands.com. Feel free to check out other posts in the series “why I’m vegan” or vegan + gluten-free recipes. Please also consider following the blog via email. Thanks!

Exploring Exhaustion and Energy Loss

I’ve been particularly exhausted, as is so often the case at the end of each school year. I often feel that the further I get into spring semester, the more I become tired, grumpy, and on edge. It’s as though my brain becomes over-worked, my body under-utilized, and my balance thrown totally off.

This year I’ve also been experiencing exhaustion as more than regular semester stress, and I feel certain it’s due to the routinization of daily assaults on personhood. It’s now routine to open social media and see violence, hate speech, and seemingly benign but still-hurtful comments indicating that the world isn’t burning up. Yet, my internal compass (and external thermostat) indicate that the world is on fire.

 Just a few examples: This week I confront anew campus shootings and stabbings across the United States—direct, physical violence resulting in serious injury and death. These occur within campus rape culture in which students are writing to process sexual assault. Even as I hold final class sessions, I’m aware that others aren’t able to—blocked by the threats of physical harm and literal fear of assembling as a group. And my final classes take place against the backdrop of fifteen-year-old Jordan Edward killed by police this week and Congress now acting to further restrict access to healthcare. Assaults on personhood feel more immediate than ever.

I feel very much like I did in November when about all I could write for my first blog post was “Arrrrrggggghhhhh!!!!!”

aaargh_bw

Today, alongside this clear embodied anger, I feel a new weariness, an exhaustion that’s clouding my head. So, I want to listen more carefully and kindly to my heart, knowing it can help me figure out how to use my hands.

As a way to listen to my heart, body, and soul, I’ve been tracking this week where I’m losing energy. Whenever I notice a new heaviness or tiredness, I’m asking with curiosity:

What might be the source of this energy loss?

Using the RAIN meditation practice I learned through mindfulness-based stress reduction classes, I’m working to recognize and allow feelings of exhaustion in order to investigate them through a gentle non-judging stance.

As a contemplative practice, RAIN suggests four actions or steps that help with exploring, questioning, and (un)learning the conditions of everyday life. These four steps are:

  • R—recognizing experiences, thoughts, feelings, conditions, etc.
  • A—allowing the states of being, no matter how bad, embarrassing, or privileged.
  • I—investigating deeply to gain new or additional understanding.
  • N—non-judging or non-identifying to avoid attachment with the experience, emotion, and even understandings (toward embracing impermanence).

While there is an implied sequence or order, RAIN can be practiced again and again, so that later steps like investigating and non-judging create space for new recognizing and allowing.

Tracking energy loss this week, I’ve come to some new awareness and, more importantly, new lovingkindness toward myself. Rather than being down or disappointed that I’m exhausted, I’m working to let this experience be. Exhaustion can characterize this time in my life, and it can lead to new discoveries, possibilities, and even activism.

Here’s a view into my current work with RAIN:

  • Recognition: I am frequently, daily experiencing a sense of tiredness, depleted energy, and even exhaustion. Though I’m also noticing occasions of energetic gain, excitement, and joy, my overall energy reserves are running low.
  • Allowing: Rather than ignoring, silencing, or pushing down these tired feelings, I honor them. I allow myself to name that I’m running on fumes. Through allowing this experience, I also receive what information it delivers—like reminders to take care of myself lovingly and to dedicate even more time to rest and refuel.
  • Investigation: As I investigate energy loss, I’m also noticing how much my emotions and overall energy are linked to interactions. I’m losing energy, for example, (1) when focusing on others’ reactions instead of my own actions, (2) when holding back or perceiving that others are holding back in conversation, and (3) when not knowing what’s mine versus what’s someone else’s. I’m working to name these and other sorts of energy loss. In doing so, I hope to find patterns and themes as I record each instance. Like the qualitative research I conduct and teach in school, this process invites me into the role of investigator. And as an investigator, I assume a more active and action-oriented stance toward understanding my exhaustion.
  • Non-judgement: With curiosity instead of judgement, I notice guilt and shame as they arise around exhaustion, noting underlying expectations that I should be able to catch and prevent burnout before it occurs. The more that I shift gently toward non-judgement and non-identification, the more I feel and experience exhaustion without being exhausted.  I can recognize, allow, and investigate this state without defining myself according to it. It simply is part of my life right now.

Exhaustion and energy loss are friends right now, friends who are helping me pay better attention to my emotions, to my heart. And my heart is heavy with grief, anger, and frustration. It’s no wonder that I’m feeling tired when carrying this extra weight.

Still, I believe in both/and: I can be both getting depleted from energy loss and learning to better shore up my energy reserves. I can be both disheartened by the assaults on personhood and wholeheartedly encouraged by people articulating and acting on commitments to justice. I can both launch a sharp critique of current injustices and soften into the introspective practice of RAIN. I can track both energy loss and energy gain.

To this last both/and—exploring energy loss alongside gain—I’ll share Neil Gaiman’s 2012 commencement address, “Make Good Art” (an address I love sharing at this time of year, a time of exhaustion and also euphoria on college campuses):

Whenever I’m down, whenever I’m experiencing energy loss, I like to re-watch Gaiman’s address and his reminder to make good art:

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do.

Make good art.

I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

So, here I am attempting to “make good art,” identifying as an artist, and following Toni Morrison’s call to “go to work.”

I am tired. I am experiencing energy loss. I am also learning and unlearning what’s causing this loss. And I’m hopeful that more contemplative, introspective practices like RAIN can bring us all home to ourselves and to more humanizing and harmonizing orientations.

Why I’m Vegan: Cookie Dough!

To start a series of posts on why I’m vegan—answering this question that I’m so frequently asked—I’ll begin with perhaps the silliest answer: cookie dough!

Since I was little, I’ve loved cookie dough. I’ve also been cautioned not to eat it: “Beth, stop! You could get sick.” The risk of salmonella from uncooked eggs loomed in the air as I stole spoonfuls of raw dough. Though I never got sick, the fear certainly hampered my enjoyment.

Since I’ve been vegan, however, I’ve realized that I can eat cookie dough. As much as I like. And without fear of illness. (Well, except for self-inflicted illness from sugar overload, as sugar is an ongoing issue for me and likely why I think of “cookie dough” as an immediate BONUS for being vegan.)

I keep handy this explanatory equation: vegan = cookie dough!

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I start with this simple and silly answer because it helps me respond to another frequent question I’m asked: “How do you eat only plants? I could never give up cheese or _____ (fill in the blank).” What if we could focus on what we get or gain instead of what we give up when going vegan?

There’s a LOT to unpack about being vegan, including how the vegan movement has deeply entrenched racism, colonialism, and other forms of oppression, even while working to address speciesism and environmental justice. There’s a LOT to unpack about how food factors into our everyday lives and is, therefore, central to the everyday-ness of attempting to live for justice. There’s a LOT to unpack about how food choices bring me back to myself and my commitments. There’s a LOT motivating a series of posts titled “Why I’m Vegan,” each unpacking a little more.

For now, let me begin here—with the joyful answer of cookie dough. An answer that my inner child enjoys. An answer that my exhausted, end-of-the-semester, sugar-craving self finds delicious. An answer that asks us all to imagine what can be gained (and not given up) through aligning with justice.


This post is written by
Beth Godbee for Heart-Head-Hands.com. Feel free to check out other posts in the series “why I’m vegan” or vegan + gluten-free recipes. Please also consider following the blog via email. Thanks!

Answering the Call for Artistic Activism: Yes, I’m an Artist!

“Do you consider yourself a writer?”

I’ve been teaching for almost two decades, and throughout this time, I’ve routinely asked this question on the first and last days of the semester (and often in-between). I’ve found my own strong YES to the question, asserting: “I don’t just study writing. I write. I am a writer.” And I hope that students, colleagues, friends, and family will similarly see themselves as writers, as people who write (who do the embodied act of writing). I believe there’s power in claiming this identity, as writers are positioned to speak up and speak out.

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View of my writing activity.
Writing and the relationships built around writing have the potential for countering injustice and bringing about more equitable relations. As I have explored in my dissertation and subsequent publications, writing has the potential to challenge and transform power relations. It has the potential to clarify and make actionable commitments to social and racial justice.

But what about art?

Recently, I’ve been thinking about the relationship of writing to art, and I’ve been asking myself a twist on the familiar question, contemplating: “Do you consider yourself an artist?”

This question has been lingering since I wrote “It’s Time to Go to Work—Time to Write from the Heart, Head, and Hands” for the Assembly for Expanded Perspectives on Learning (AEPL):

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To read this post, visit <aeplblog.wordpress.com>.
In this post, I respond to Toni Morrison’s call for action, call for art in tough political times: “This is precisely the time when artists go to work.”

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And I think: artists … Artists go to work.

Early in my life, I was quick to call myself an artist. I loved painting, drawing, sculpting, storytelling, and dancing. One of my earliest memories (around the age of three) involved being in big, big trouble for decorating the apartment door with crayons. Throughout elementary and middle school, I loved visual art, photography, calligraphy, and clogging classes. I put myself in charge of constantly changing seasonal decorations. I created my first books—a novel and scrapbook—in fourth grade. My mom found the owner of local bait and tackle shop to teach me crocheting one summer. I designed my first science fair projects to focus on art: understanding the color wheel and visualizing rock sediments with layers of colored sand. I submitted photographs to 4-H youth competitions. And I learned to bake, to make bracelets, and to write poetry. My memories of youth are full of creation. (Growing up rural East Tennessee pre-internet days, creation came naturally.)

Yet, somewhere along the way, I began to struggle with this self-definition, as I internalized a sense that only some people could be artists, and those people were ones who produced “great works” recognized by others. Though I still flirted with art and briefly considered minoring in visual art, I let go of the self-identification of “artist.” I considered friends—those who really studied and perfected their crafts—to be artists. I learned to hold the identity of “artist” at arm’s length—likely for the same reasons that many of my students hold the identity of “writer” as something “out there,” something that others can claim only after recognized achievement.

Today I’m wondering if my reluctance to claim “artist” might be another form of playing small. Might this be another form of internalized inferiority, especially since my art was often feminized and I’d learned not to associate myself too closely with the feminine? If so, might claiming the identify of “artist” be another way to embrace feminine energy and feminist activism?

Recognizing the need for encouragement, I’ve started speaking to myself as I do when mentoring students, urging myself to claim the identity of artist. Since childhood, I have continued to create art—writing, storytelling, taking and editing photographs, designing cards, creating recipes, crocheting, and now blogging. I choose to believe the identity of “artist” is in the doing, just as I believe that one becomes a “writer” simply by writing.

2017-04-07 10.14.22
View of my artistic activity.
As further encouragement and a great synchronicity (or “god wink”), I’ve been listening to Elizabeth Gilbert’s Magic Lessons podcast, and this week’s queued episode was titled: “Who Gets to Decide Whether You’re a Legitimate Artist?” As you might imagine, the episode made the sort of argument I’m making here: it’s important to focus on the doing—the verb—of creating, making, writing, artist-ing.

So, if I embrace this identity—artist—and want to answer Morrison’s call “to go to work,” I can ask some new questions:

  • Where do I find inspiration, and how might I inspire others?
  • What needs to be said now, even if it’s been said before?
  • Whose voices need to be amplified, cited, credited, and made visible?
  • What am I called to create, and how might I listen to and hear the call more clearly?
  • How might creation help to imagine and enact visions of the “ought to be”?

I ask these questions on a day in which students and I have generated lists of the genres (types of writing) through which we “write for social justice.” We showed each other the work we’re engaged in and the possibilities that lie ahead. One student urged me to “blog about this class”; another suggested creative nonfiction; and still another encouraged me to keep working on my academic book project. This encouragement reminds me that students see me as a creator (a writer, researcher, and artist), even as I’m encouraging as them to step into and claim these roles—to become writers and artists for justice.

I also ask these questions on a day when a friend shares the article, “Finding Steady Ground: Strengthening Our Spirits to Resist and Thrive in These Times.” Of the seven behaviors outlined here for strengthening ourselves and taking strategic action, #5 pops out to me: “I will be aware of myself as one who creates.” How about this for an affirmation? For a reminder that art isn’t frivolous, but part of resilience and resistance?

As I create—as I write, teach, research, blog, and share my work with others—I must say, “I am an artist.” And as an artist, I encourage artistic activism. I hope you’ll join me. I hope you’ll claim the identities of writer, artist, and activist. I hope you’ll create and act in the world, countering passivity and taking up Morrison’s call.